12/10/2025

ON SUNDAY October 12, 2025 theSunday Special III

sparking online conversations and social media tributes to its enduring production quality and performances. Saw’s last ¿OP You Mean the World to Me , is not yet available on streaming platforms, although discussions are underway to bring it to a broader audience. “Technology is making it easier for ¿OPPDNHUV WR WHOO WKHLU VWRULHV WKH ZD\ WKDW they intended to. But like most things, it is a double-edged sword. Options can be paralysing. Streaming platforms, for instance, R̆ HU DFFHVV +RSHIXOO\ WKDW H[SRVXUH ZLOO help us hone a stronger Malaysian voice. But access also makes it harder to break WKURXJK WKH QRLVH ´ KH VDLG Stories that matter F RU 6DZ ¿OPPDNLQJ XOWLPDWHO\ FRPHV EDFN WR WHOOLQJ VWRULHV URRWHG LQ WUXWK +H encourages young directors to experi ence life beyond the lens. Only through OLYHG H[SHULHQFH KH VD\V FDQ ¿OPPDNHUV discover their authentic voice. The examples of P. Ramlee and Yasmin Ahmad remain powerful reminders. Both drew deeply from Malaysian life and left behind works that continue to UHVRQDWH ZLWK YLHZHUV 7RGD\¶V ¿OPPDNHUV face the challenge of balancing cultural authenticity with broader appeal – a task that requires courage, creativity and, at times, patience. “You almost need all the stars to align for that to happen. But still, the hope remains. I dream of seeing more original 0DOD\VLDQ ¿OPV WKDW QRW RQO\ VXFFHHG DW home but also earn critical acclaim across WKH JOREH ´ 6DZ VDLG ZLWK TXLHW RSWLPLVP A V 0DOD\VLD FRQWLQXHV WR VXEPLW ¿OPV for Oscars consideration and build its presence at international festivals, the journey of local cinema continues to be shaped by history, fueled by new voices and propelled by the dream of one day seeing a truly Malaysian story take its SODFH DPRQJ WKH ZRUOG¶V ¿QHVW

Streaming platforms have given Malaysian films a wider reach, allowing audiences to enjoy local stories alongside global blockbusters from the comfort of home.”

T KH 0DOD\VLDQ ¿OP LQGXVWU\ WRGD\ EHDUV little resemblance to the one that launched Puteri Gunung Ledang two decades ago. Technology has reshaped both how movies are made and how audiences consume them. Saw is particularly encouraged by the diversity of voices now coming forward. “We now have more representations of our fellow Malaysians from East Malaysia. The local Tamil and Chinese cinema are EORVVRPLQJ WRR ´ Audiences, meanwhile, no longer rely solely on theatres. Cinemas remain popular, but streaming platforms have transformed viewing habits. Malaysians FDQ QRZ DFFHVV ORFDO ¿OPV DORQJVLGH JOREDO titles, often from the comfort of their own homes. When Puteri Gunung Ledang entered VWUHDPLQJ LQ YLD 1HWÀL[ LW IRXQG D new wave of fans among younger viewers,

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“Like any out-of-body experience, it was completely unreal. Particularly attending the Palm Springs International Film Festival, the lead-up to the Academy Awards. To be in the same room with my ¿OP KHURHV ZDV D FRPSOHWH WKULOO ´ 6DZ recalled. Puteri Gunung Ledang paved the way for more submissions. Over the years, Malaysia has produced notable works, including Bunohan (2012), Lelaki Harapan Dunia (2015), Redha (2016), M for Malaysia (2019), Roh (2020), Prebet Sapu (2021), Tiger Stripes (2023) and Abang Adik (2024). None have yet made WKH ¿QDO VKRUWOLVW EXW PDQ\ QRWDEO\ Tiger Stripes and Abang Adik have achieved critical acclaim overseas, including awards at Cannes Critics’ Week and the Far East Film Festival. “Many festivals have celebrated Malay VLDQ ¿OPV $QG WKDW RI FRXUVH LV D JRRG thing. My stand-out festival moment was at the Venice International Film Festival. T KH VLJKW RI RXU 0DOD\VLDQ ÀDJ À\LQJ above the pavilion brought tears to my eyes. There has been sporadic interna WLRQDO UHFRJQLWLRQ IRU 0DOD\VLDQ ¿OPV My wish is for us to achieve a sustained SUHVHQFH ´ 6DZ VDLG

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