24/04/2026

LYFE FRIDAY | APR 24, 2026

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Museum visit without walls o How virtual exhibitions can reshape access to national history, heritage

Ű BY AMEEN HAZIZI

A MUSEUM visit usually comes with a set routine, walking through galleries, reading labels and moving from one display case to the next. At the Museums Department (JMM), that experience is being reworked into something less tied to place. The newly launched Programme for the Digitisation of Collections and Virtual Exhibitions for the Natural History Museum opens that shift to the public, offering a version of the museum that can be explored from a screen as much as from a gallery floor. For travellers, it changes the entry point. A visit no longer has to begin at the door. “Knowledge about the nation’s heritage should not be limited to physical spaces alone. It needs to be brought closer to the public through digital platforms that are accessible and interactive,” said National Unity Ministry secretary-general Datuk Haslina Abdul Hamid.

material includes short videos on preservation techniques and interactive elements that guide the experience. The design does not try to recreate the physical museum in full. It leans into the flexibility of digital space, where visitors can pause, return or skip ahead without a fixed path. According to JMM director general Datuk Kamarul Baharin A. Kasim, the direction is deliberate. “The department remains committed to ensuring that knowledge of history and culture stays relevant, inclusive and accessible to all levels of society,” he said. Extending the visit Access to the exhibition is split between on-site VR setups and an online platform, making it possible to explore the collection before or after a physical visit. That flexibility changes how the museum fits into a travel itinerary. It can be a starting point, a follow-up or a standalone experience. The department is targeting an average of 7,500 virtual visits per month in its first year, an indication of how digital engagement is now being considered alongside foot traffic. Different way to encounter heritage There is still value in standing in front of an artefact, seeing its scale and texture up close. That part of the experience remains unchanged. What the programme adds is another layer, one that removes distance as a barrier. For travellers planning a trip, the museum journey can now begin earlier, offering context before arrival. For those who may never visit in person, it offers a way in. As Haslina noted, the aim is not only to preserve artefacts, but to make them part of a shared experience. In that sense, the museum is no longer just a place to go, but something that can be accessed, revisited and explored over time.

Even with digitisation, there is still value in visiting museums in person. – MUZIUM NEGARAPIC

Collection that travels The programme brings together 255 digitised items, spanning 135 ethnological artefacts and 120 natural history specimens. These range from traditional objects tied to Malaysia’s cultural identity to preserved specimens that trace the country’s biodiversity. Some of these pieces are rarely displayed in physical settings due to their fragility. Digitisation allows them to move differently, not in transit, but in access. “This initiative allows rare and sensitive artefacts to be protected, systematically documented and accessed in a controlled way,”

Haslina said. For

visitors, means encountering parts of the collection that would otherwise remain behind the scenes. Walking through virtual gallery The Natural History Museum’s virtual exhibition is structured into eight segments, starting with early specimen collection in the 1880s and moving through categories such as mammals, birds, marine life and plant species. In its first phase, 120 specimens have been rendered through 3D scans, allowing users to view preserved animals and plant samples from multiple angles. Supporting that

Museum digitisation projects are increasingly used globally as research tools, not just public exhibits. – 123RFPIC

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Hilton Garden Inn Kota Kinabalu Tuaran

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