29/01/2026

LYFE THURSDAY | JAN 29, 2026

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o Legendary singer returns to big stage after four decades Fauziah Latiff’s homecoming

A FTER four decades of making her mark on the local music scene, legendary singer Fauziah Latiff has finally fulfilled fans’ long-held hopes by staging her first large-scale solo concert on May 9. The 4 Decades Fauziah Latiff Live In Concert, set to take place at the Plenary Hall, Kuala Lumpur Convention Centre (KLCC), is expected to be among the most highly anticipated performances of the year. Organised by Ideatelier, the concert is arranged as a tribute to the artistic journey of the singer of Teratai Layu Di Tasik Madu , whose music has transcended generations since the 1980s. Speaking about her decision to accept the invitation to hold the concert, Fauziah, 56,

concert is being developed to the highest standards as a mark of respect for the nation’s arts legend. “I am a fan myself and have been looking forward to a concert by a singer with her own unique aura. “This is her first solo concert after 40 years, so we want the audience to go home feeling they have witnessed something meaningful, high quality and emotionally ‘premium’,” he said. Tickets are priced between RM299 and RM6,999. – Bernama

in conjunction with Mother’s Day, as a symbol of celebrating love, sacrifice and women’s strength. The TV Wanita Popular (Most Popular Female TV Entertainer) winner at the Anugerah Bintang Popular Berita Harian in 1992 and 1993 said the song selection for the concert would take the audience through emotions and cherished memories closely tied to their own life journeys. “When we sing these old songs, we automatically recall the past – there’s a lot of emotional communication there and we celebrate it together,” she said, adding that each song will be brought to life through new musical arrangements while still retaining the original “soul” of the work. Among the songs to be performed at the concert are Dia , Sekali Ini Saja , Teratai Layu Di Tasik Madu , Setia Ku Korbankan and Menanti Di Ambang Syurga . Meanwhile, organiser Ezuwan Ismail, who is also a popular fashion designer, said the

said the key factor was her confidence in the strong teamwork shown by the organisers. “It’s a teamwork. The way they work is very determined and passionate. In terms of artistry and production, everything is fast and well-researched – there’s a lot we can study.” “We discuss openly, exchange ideas, they accept my ideas, we discuss – and that’s what I appreciate. It also took me almost a month to make the decision,” she told a press conference on the concert last Wednesday. Admitting she is meticulous and pays close attention to detail, Fauziah did not deny fear of shouldering the huge responsibility was the reason she previously turned down many concert offers. “I did receive offers but I blame myself more because I was too afraid. This is a big responsibility – it’s not just about singing but appreciating the entire stage – not only the audience but also the musicians, songwriters and crew who work tirelessly,” she said. She added that the concert is also arranged

Fauziah says she turned down many concert offers in the past because she feared shouldering a huge responsibility.

Among the songs to be performed at the concert are Dia , Sekali Ini Saja and Setia Ku Korbankan. – PICS FROM BERNAMA

Fauziah’s music trancends generations since the 1980s.

Rudeen releases new album Offline

MALAYSIAN independent artiste Rudeen has released his new studio album Offline , marking his first full-length project of 2026. The nine-track album passed more than 50,000

Quai, Qhalid, Freed, Syntax, Nielnoi, Oceansight, Caspr and Riko Agus. Production credits are shared among Exactesy, Nekor, Goodolum and Adpakte, with each contributing to different sections of the album. Despite the number of collaborators involved, the project maintains a consistent direction across its runtime. Individual tracks approach the album’s themes from different angles. Some focus on structure and routine, while others touch on identity and momentum outside of online validation. The track order moves from higher-energy material in the opening half toward slower, more controlled pacing later on, reflecting a gradual shift rather than a dramatic contrast. The album’s visual presentation follows a restrained approach. Offline uses a red-and black colour palette across its cover art and promotional materials, favouring stark contrast over detailed imagery. The visuals mirror the album’s emphasis on reduction and focus, avoiding decorative elements. Offline is available on major streaming platforms.

streams across Spotify and YouTube within its first 15 days. Offline combines rap with metal-leaning textures and abrasive electronic production, continuing Rudeen’s genre-crossing approach while narrowing its focus towards themes of pressure, discipline and routine.

Offline was developed around the idea of reducing digital engagement during the creative process. Rather than framing disconnection as isolation, the album reflects a period of stepping back from constant online presence and external feedback. Several tracks reference habit, distraction and the effort required to maintain focus in an environment shaped by notifications, timelines and performance metrics. The album features a mix of local and international collaborators. Guest appearances include Airliftz, Akkimwaru,

Rudeen has collaborated with both local and international acts prior to Offline .

Rudeen has previously worked across rap, metal and experimental electronic projects.