28/06/2025

LYFE SATURDAY | JUNE 28, 2025

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MOVIE REVIEW

Sunset mayhem o Waktu Maghrib 2 delivers curses, creepy kids but little else T HE sequel to 2023 Indonesian horror flick Waktu Maghrib returns with an ambitious attempt to dig Ű BY THASHINE SELVAKUMARAN

Anantya delivers a strong performance as the possessed character.

0 Cast: Omar Daniel, Anantya Kirana, Sulthan Hamonangan, Ghazi Alhabsyi, Muzakki Ramdhan 0 Director: Sidharta Tata E-VALUE 5 ACTING 7 PLOT 4

deeper into the myth of Ummu Sibyan, a demonic entity that emerges when curses are uttered during the twilight call to prayer. But where the original managed to maintain a strong grip on psychological fear and mythological roots, Waktu Maghrib 2 feels more like a fever dream, disjointed, overly dramatic and often unintentionally hilarious. Plot Directed by Sidharta Tata, the story is set in the haunted rural village of Giritirto, decades after the events of the first film. A group of teenagers, Yogo, Dewo, Wulan and others find themselves at the centre of a new supernatural threat after tempers flare during a football match. As dusk sets in, they shout vulgarities and curse one another during the er during the

Omar’s character is underutilised but had potential

Cast and characters If there is anything worth applauding in Waktu Maghrib 2 , it is the children. The young cast members bring genuine energy and commitment to their roles, even when the story falters. One standout is the little girl (Wulan), played by Anantya Kirana, who displays impressive emotional range from wide-eyed innocence to unsettling dread. Her performance grounds several scenes, giving the audience something to hold onto amid the film’s supernatural frenzy. The boys, Yogo (Sulthan Hamonangan), Dewo (Ghazi Alhabsyi) and the rest also carry their parts well. Scenes of them panicking in the forest, reacting to unseen terrors or fighting off possessions, they deliver believable fear and camaraderie. There is a sincerity in how the kids portray confusion and terror, which helps inject some authenticity into otherwise chaotic moments. Omar Daniel plays Adi, a returning adult figure connected to the original curse. He attempts to bring maturity and context to the Cast an If th applau is the memb and c even stand playe disp rang perf scen som the Ha Alh ca th re fig d c s p w Omar returnin

abrupt and unnatural, giving the whole film a student-project energy. Scenes that should carry emotional weight are cut short, while possession sequences drag on with slow-motion gimmicks and flashback filters. The musical score, however, does a decent job of elevating tension especially during quiet, suspenseful moments. Unfortunately, it is also overused to the point where even mundane conversations are laced with ominous chords. The sound design deserves praise for crafting effective jump scares, which are the only consistent source of entertainment. Sudden door slams to guttural whispers in the dark, these moments are what will keep viewers on edge even if they do not ultimately serve a meaningful plot. This is not a good movie by any cinematic standard, but it is undeniably fun to watch with friends. It is the kind of film you laugh about after, even while clinging to your seat during its loud, chaotic moments. Best enjoyed in a cinema surrounded by equally confused viewers, it offers entertainment through shared gasps and giggles rather than genuine horror. Waktu Maghrib 2 is now running in cinemas.

story, but the script gives him little room to breathe. Still, he holds his own alongside the younger cast, often serving as the calm in the storm. Pros & cons There is no denying that Waktu Maghrib 2 is full of moments that will make you flinch or jump, thanks to well-timed (if predictable) scares, sudden loud audio cues and disturbing visual imagery involving children. The film’s rural setting also adds a distinct eeriness, with lingering wide shots of empty roads and glowing orange sunsets that build atmospheric tension. However, where the film utterly fails is in narrative clarity and emotional depth. Plot points are introduced and discarded with little logic. Characters disappear without explanation. The mythos of Ummu Sibyan, which could have added rich lore, is barely explored and instead replaced with incoherent exposition dumps. Dialogue is stilted, and any attempt at message or meaning gets drowned in over-the-top acting and bizarre tonal shifts. Editing and music The editing is choppy at best. Transitions between scenes feel

sacred time of Ma g h r i b , unknowingly inviting an ancient curse. Not long after, one of them becomes possessed, setting off a chain of chaotic, often confusing, supernatural events. Ummu Sibyan, the central demon, is revived as a terrifying force plaguing the village, but instead of a coherent progression of terror, the film hops from one screamfest to another without much rhyme or reason. Scenes abruptly change g e d t m ne ut or

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tones, timelines blur without explanation, and most of the emotional beats are undercut by unintentional comedy. on, the

Waktu Maghrib 2 is an Indonesian horror film directed by Sidharta Tata. – ALL PICS FROM IMDB